Ravi Teja books Sankranthi, again
Sri Venkateswara Creations says its #SVC64 with Ravi Teja and Hasith Goli will hit theatres on January 14, 2027. Title, cast and crew can show up later.

Sarcasm as a Social Service. The SaaS Telangana didn’t ask for but needs.
Today's talking point
the Assembly gate clash
72 stories
Sri Venkateswara Creations says its #SVC64 with Ravi Teja and Hasith Goli will hit theatres on January 14, 2027. Title, cast and crew can show up later.
Sandeep Reddy Vanga puts Spirit on March 5, 2027. SS Rajamouli plants Varanasi on April 7, 2027. The ‘bigger’ debate is marketing; the dates are the only hard numbers so far.
Akshaye Khanna shows up as Shukracharya; the makers circle January 8, 2027 for theatres. Nearly three minutes of Devas–Asuras and one clear fact: the villain speaks first.
People Media Factory drops ‘Zombie Reddy 2 – NXT LVL’ with Teja Sajja back, Upendra and Shanaya Kapoor added. Hyderabad gets the undead treatment in the title clip, per reports. The plan: seven languages, 2027. The fine print: it’s a makers’ announcement, not a schedule.
Reports say SS Rajamouli is sampling human voices for Varanasi across 50 languages and a 120-country rollout. The official channels confirm the cast and an April 7, 2027 date — not the anti‑AI bit yet.
People Media Factory unveils Zombie Reddy2 NXT LVL – Dead Or Alive with Teja Sajja back, Upendra on board, and Shanaya Kapoor stepping in. The makers list seven language versions and tease Hyderabad in the title glimpse. 2027 is the target.
The Padma Shri awardee who began with L. V. Prasad’s Shavukaru (1950) and worked across five industries died in Chennai on August 21, according to Nadigar Sangam president Nasser.
Yash’s ‘Toxic: A Fairy Tale for Grown-ups’ is listed to hit theatres worldwide on August 26. Advance ticketing opened August 21, say the makers — but the breathless 12,000-screens talk is still a claim, not a count.
Title glimpse drops on his birthday; Director Bobby Kolli says Kaaka hits theatres Sankranthi, January 13, 2027. Supervisor Satyam clocks in at Ammaji Aqua, Ravulapalem.
No new Tamil releases and a halt to shoots announced over an OTT-window demand. Talks promised; clarity missing on who actually blinks first.
Delhi held the first steering meet for IFFI 57. The BJP-led Centre promised more masterclasses and mentorship; the documents promise dates. Neither promises a Telugu slate — because none was announced.
Venkatesh–Kalyan Ram team-up with Anil Ravipudi plants its flag on Sankranthi 2027 — the makers say January 12, worldwide.
Supreme Court eases its own 2025 rule for entry-level judges: grads can apply in the transition window; from April 1, 2027 it’s one year of certified District Court practice — plus mandatory academy and clerkship. States have three months to fix their rules.
Irumudi hits its slated date today with a father–daughter arc and Ayyappa Deeksha at its core. The languages mix is where the makers’ messaging still can’t pick one lane.
Speculation moved it to June, then December. The only on-record line from the makers still says March 5, 2027 — and nobody has produced a newer one since.
As the Hindi remake rolls out its teaser, reports say the Malayalam original briefly “disappeared” from JioHotstar. The Telugu dub on Aha — the Hyderabad chapter — stayed put.
Prasanth Varma lines up the next PVCU reveal; cast trickles out on the record, hype races ahead. As usual, the Centre didn’t build this — Tollywood did.
Prasanth Varma’s PVCU returns with a first glimpse teased for August 24. Hyderabad is where this universe keeps getting built; Delhi can keep its sermonising, we’ll take the films.
The Supreme Court will list review pleas against its 2022 PMLA verdict. For now, it’s about which bench hears them — not the merits. Telangana has watched the BJP-led Centre use the ED freely; a real review would finally test that playbook.
Prithviraj Sukumaran’s crime-action film Khalifa hits theatres on August 20 — certified in India, playing in the UAE, and announced in Malayalam, Tamil and Telugu. The numbers are records only on posters; for now, it’s on screens.